Brittany: It is a permanent impressionist exhibition here; you only have to put your nose outside the door when the weather is fine: it’s Monet all over: violet overalls, green land, orange sky, blue trees, violet, red and pink boats etc. It’s enough to make you mad.— Emile Bernard, (artist and friend of Gauguin)

If you long for the primary-colored world of your kindergarten days, come to Brittany.  In northwest France, I found a royal blue sea set with white-sailed skiffs, red and white lighthouses, and red, blue, green and yellow fishing boats gleaming in the sun like enlarged Brio toys.  The 18^th-century cliff top homes have the boxy, symmetry of children’s blocks, making the coastal scenery here one of simplicity and cheer. 

This is not what I had expected.  

I had mistakenly thought Brittany to be a blustery cold place of gray houses and bleak skies. Yet, everywhere I went, I was taken with the bright, bold beauty of a sunny land filled with traditional delights for the visitor.

An easy train ride from Paris, using my France Rail Pass, two hours and a coffee later I arrive  in Brittany’s capital, Rennes, and discover not only was I not in Kansas anymore, I was not in France anymore. With a revival of Brittany’s Celtic culture, radio stations broadcast entirely in the Breton language and, as if to cement the solidarity with their neighbors across the Channel, the twisted medieval streets of half-timbered houses sport Irish pubs and Irish street musicians. I stay in Rennes for a lunch and a stroll, then make a beeline for the museum, the Musée des Beaux Arts, with its lovely Art Nouveau and Modern pieces and my very favorite painting on the planet, Georges de La Tour’s, The Newborn Child. 

From Rennes, it’s a brief train ride to perhaps the most breathtaking of French cities: St. Malo.  This walled seaport perches at the edge of the Atlantic. The setting is spectacular. From the 16^th-century mile-long ramparts, breathe in the brisk air smelling of iodine, and look far across the water to several little islands crowned with ancient forts. White and pink-sailed yachts and fishing boats ply the waters and ferries, white and high as wedding cakes, sail to and from England. On the cliffs across the way, is the stately resort town of Dinard with its extravagant English houses and long, wide beach.  St. Malo is celebrated as a city of adventurers and privateers. It was from here that gentlemen pirates made life hell for English sailors, and it was from here that Cartier sailed when he discovered Canada.  

St. Malo blends 18^th-century elegance with 16^th-century provincial port.  The surprise however is that St. Malo is new. Destroyed by the Germans in World War II, St. Malo was painstakingly re-built, stone by stone, so that today it is a perfect yet poignant replica of itself.  The town’s heart is the elegant Place Chateaubriand, fringed with nautical-themed cafés. The surrounding streets are lined with shops selling unique gifts, including yacht sails recycled into chic totes and handbags with the steel clew holes as handles.  There are delicious cookies and caramels made with Brittany’s famous salted butter, and the ubiquitous striped nautical tee shirt. It is not only the Malouins (the citizens of St. Malo) who sport these jaunty blue and white or red and white striped shirts but every man woman and child who visits. It’s amusing to see all these horizontally striped people for it gives the town the appearance of some kind of retreat for prisoners.

The essential thing to buy in St. Malo, and in fact in all of Brittany are the galettes; a crepe made with buckwheat flour and filled with something savory.  At a bow-windowed crêperie, I learn to order a galette with ham, cheese and fried egg, oeuf miroir, so that when I cut into it, the yolk spills deliciously around the crepe. For dessert, I have a crêpe, not a galette (as a crêpe is made with wheat flour), filled with the Breton specialty, a warm caramel sauce called crème de Salidou made from that luscious salted butter. There are no words to describe how sensual this tastes so I won’t try.

There’s something about France that makes you hungry all the time, and in Brittany this phenomenon is no exception. There are so many gastronomic discoveries and they’re so easy to come by, that even after I’ve eaten, I am eager for more. I visit Cancale, a fishing village, 15 minutes from St. Malo. If the name of this village sounds familiar, it’s because Cancale is where more than 80% of France’s oysters are farmed. The eponymous oysters feed naturally on the plankton-rich waters of the Breton sea and this is said to make them especially delicious. Men in knee-high rubber boots, yellow slickers and weathered faces drive up from the beach, in tractors loaded high with oysters. You buy them fresh; a dozen large cancales for 3 euros. Squeeze a drop of lemon on one (if it contracts, it’s alive) then scoop it with your fingers and drop it into your mouth. It slides down the throat in sea-salted silkiness.  To enhance the experience, look at the horizon. If the weather’s fine, the view is to exquisite Mont. St. Michel, rising in the distant mist like a ghost abbey. 

I fell in love with Brittany and I fell hard. Both for the “big” cities of Rennes, St. Malo and Quimper but also for the little nooks, unknown to most visitors to France. I took to my heart the tiny seaports of Bénodet and San Marine. In these wee places, the pace slows and dinner is garlicky lobster while gazing on the same Breton sea that Monet called “incomparably beautiful.”  It’s Brittany and whether in city or hamlet, you will, as the French say, amuse yourself well. 

KQED Perspectives: When Maxine Rose Schur needs to clear her mind she heads straight for the foggiest part of San Francisco – the Sunset District.

Where I live, in Marin County, the sun shines most of the year and you can see into the next county as clearly as peering in your neighbor’s window. But I am a writer so when I need to dream, I drive to San Francisco and let the fog clear my head.

I drive to where I grew up: the Sunset District. This is where you’ll find long blocks of attached, stucco houses. And here, I love to walk when it’s foggy. Here the fog softens the things you see and the sounds you hear. Sometimes, your view can be completely blocked so that even the houses on the other side of the street can vanish in seconds as if by magician’s smoke.

And yet the fog is cozy.

Within the thick walls of my childhood home, I remember how the fog made our small house seem all the more important by hiding the outside. Beyond the windows the world often just disappeared and this disappearance of things forces you to remember what is there or to assume what is there. This is why the fog is great for dreamers— artists and writers— not only because it shuts out the world, but because it can allow the imagination to surmise, even to conjure.

The Sunset District’s backyard is the Pacific Ocean. Yet, there are no fishermen, no boats, no beach restaurants, no seashell shops, and no boardwalk. Hidden behind sand dunes that are themselves hidden from view by The Great Highway, the sea is a secret. This planned indifference makes the neighborhood for me even more seductive. What a thrill to know that behind the predictable, peaceful rows of houses, roars the largest ocean in the world, wild and unfathomable. Indeed, its gray vastness seems infinite here. Like another sky.

The Sunset District is a remote San Francisco neighborhood. And a place that, by expanding our vision with the grandeur of an ocean, yet limiting it with the mystery of fog, can encourage us to dream.

With a Perspective, I’m Maxine Rose Schur.

Maxine Rose Schur lives in San Rafael and is a travel essayist, children’s book author and writing instructor.

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